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Monday, October 12, 2026
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The Tug-of-War Over the Cable News Network Highlights How Broken US Journalism Now Is.

On Thursday evening, as rumors swirled concerning an incident at Brown University, the network's Kaitlan Collins used social media, pointing out the conflicting information and directing people to her channel's 9pm newscast.

Even though the network is hardly a flawless news source, her words seemed accurate for a lot of people. It is one of the outlets where there exists fact-based and generally dependable reporting – particularly during crises such as the one taking place near a New Hampshire storage facility.

A Precarious State During a High-Stakes Tug-of-War

Yet CNN, now four and a half decades old, finds itself in a precarious position as two giant media corporations battle over ownership of its corporate owner, Warner Bros Discovery.

Regardless of who wins, the fate of CNN has turned into a high-stakes game of mergers and acquisitions, not as a question of what serves the information-seeking public.

“This represents another instance of the profound systemic issues with origins in many years of regulatory actions,” noted Victor Pickard, writer of “Democracy Without Journalism?” and a media policy professor at the Penn.

The conjecture about the future owner of Warner Bros Discovery – is it going to be Netflix or Paramount Skydance? – fails to grasp a broader point.

“It gets presented as a corporate drama with key players as the protagonists, but there is very little discussion of the common good,” Pickard added.

A Further Element: The Former President

This situation is further muddied by Donald Trump’s views about a network he has long portrayed as perhaps his chief “fake news” foe.

Think back to the chants of “CNN sucks!” at his rallies, his team's disciplinary suspension of reporter Jim Acosta’s press credentials, or his tense exchanges with Collins in press briefings.

Trump now claims that the network requires new ownership. Many see this as a desire for ownership that will protect him from criticism and scrutiny. That is part of why he seems to come down on the side of Paramount Skydance, which has made a hostile bid.

There is a basis to favor that bidder more. For one thing, it is run by David Ellison, son of the pro-Trump Larry Ellison, one of the world’s richest people.

The company, owner of CBS News, also recently placed the right-leaning Bari Weiss, noted for her “anti-woke” beliefs, as the editor-in-chief of that venerable news network.

A Possibility of More Instability

Significantly, if Netflix is successful, CNN and other cable outlets would first be separated into a separate entity. That would be a relief to many at the network, but it’s hardly a guarantee of stability. That structure could set up CNN for a future sale. It never ends.

In the view of Timothy Wu, a lot of this is illegal, anyway. The influential voice of big tech’s dominance wrote recently that anti-trust laws should block both deals.

“Either merger would be harmful to the country, and both should be challenged by the government,” Wu argued.

The Core Issue and a Potential Solution

No matter the outcome in this situation, the bigger problem remains.

“Our current system is a profoundly system hostile to democracy, but we must resist a sense of powerlessness,” Pickard noted. Policy decisions – from the 1930s and 1940s – helped to build this hyper-commercialized monster, and revised policy decisions can address it.

Is this likely in an era where the head of the FCC refuses to acknowledge that the agency is independent? Change is highly improbable now, but that is not to say it will never happen.

Measures that strengthen independent news organizations, bolster local journalism, subsidize public media, and prohibit the consolidation of media power in a handful of hands are not only possible – they are essential for a healthy democracy.

In the world of media ownership, size does not equal quality. And news organizations like CNN must not be pieces in the most recent acquisition battle.

By

Michael Williams

A contemporary art critic and curator with a focus on European modernism, sharing insights and fostering dialogue in the art world.

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